Hays peter l. who is faulkner’s emily

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Eitner, Walter H. Elfenbein, Anna Shannon. Elias, Robert H. Elliott, Gary D. Ellmann, Mary. Emblen, D. In studying translations, one is perforce in the situation of examining cultural interaction.

As translation scholars have examined different translations over the centuries, it has become apparent that one person's "translation" is another's "adaptation" is another's "version," etc. Even texts that claim to be a "translation," and are generally recognized as such, may alter the source text dramatically. Andre Lefevere and Susan Bassnett propose that we speak of "rewritings," which would encompass not only translations per se but also anthologies, commentaries, histories, and even critical journals Therefore, the way scholars write about cultural interactions constitutes a type of rewriting itself.

In the case of Faulkner we have an interesting example of the interaction of the Americas with Europe and with themselves, both among writers and those who write about writers. One way to talk about transcultural exchange is by use of the metaphor of anthropophagy, which Use this link to get back to this page.

Eating Faulkner eating Baudelaire: multiple rewritings and cultural cannibalism. Author: Scott G. Date: Fall From: The Faulkner Journal Vol. Faulkner hightlights the similarities between the ageing of the house with the ageing of its owner. Also the interior of the house is neglected, representing the inner life of Emily. Here the dust is probably used as a symbol for death. Another function of the house is to keep a secret, and in order to keep that secret Emily chooses a locked up, isolated life.

While her father was still alive, the townspeople pictured them standing in the frame of the door of their house. Schede suggests that Emily was standing behind the doorway with Mr. Grierson blocking her way out, rendering the house a prison to her until her father died Ziegler points out that there is another object belonging to the house, linked through the door: the street in front of the house can be regarded as a symbol for transportation and locomotion A thin, acrid pall as of the tomb seemed to lie everywhere upon this room decked and furnished as for a bridal: upon the valance curtains of faded rose color, upon the rose-shaded lights, upon the dressing table, upon the delicate array of crystal and the man's toilet things backed with tarnished silver [ Faulkner contrasts the rose-colored room, which seems to stand for life, romance and love, with the remains of a dead body symbolizing death in its timelessness Ziegler According to Perry, both Emily and the lighthouse-keeper chose to live alone, refusing to be part of society, and both look down at all of the people beneath them This image of a flag resistant to wind, while the druggist is inhibiting her actions, shows the toughness of this woman.

D C Daria Poklad Author. Add to cart. Contents 1. Introduction 2. Functions of the Grierson House 3. Religious Images in Contrast to Masculine Traits 4. The Function of the Town 5.